two freestanding sculptures side-by-side made of cardboard, the one of the right predominantly a white woven structure with spots of color, and the one of the left mostly colorful with spots of white

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Art

#Ann Weber
#cardboard
#recycling
#sculpture

August 28, 2024

Kate Mothes

two freestanding sculptures side-by-side made of cardboard that has been cut into strips and layered, primarily in white, blue, black, and yellow

“Personages, Elkhart Lake” (2024), found cardboard, staples, and polyurethane, 90 x 43 x 10 inches. All images © Ann Weber, courtesy of Palos Verdes Art Center, shared with permission

From scraps of found cardboard, Ann Weber constructs billowing forms that rise in vibrant patterns—almost figure-like—to greet us. The Los Angeles-based artist (previously) focuses on sustainability, community, and relationships by using found materials and pairing forms. Weber’s titles often suggest individual characters and places, like in “Personages, Elkhart Lake” or “O Buddy, O Pal.” Symbolizing the act of bringing people and ideas together, strips of cardboard are layered, fastened, and intertwined with one another to create a sturdy and reliable structure.

In 1991, when Weber first began to experiment with with medium, she drew on her experience making functional pottery. She was inspired by architect Frank Gehry’s cardboard furniture, and the material was attractive due to its malleability and lightness. A couple decades later, the proliferation of global shipping—the boxes required to deliver goods and the waste they produce—amplified the artist’s interest in repurposing something that might otherwise be landfill-bound.

two freestanding sculptures side-by-side made of woven and layered strips of colorful cardboard. the one on the left is primarily yellow, black, and white, while the one on the right is mostly orange and white

“O Buddy, O Pal” (2024), found cardboard, staples, and polyurethane, 72 x 51 x 26 inches

In Let the Sunshine In, the artist’s forthcoming solo exhibition at Palos Verdes Art Center, Weber taps into not only the famously blue skies of Southern California but the optimism essential to sustaining relationships during turbulent times, embracing perspectives that may differ from our own and maintaining the foundations of community. Through the colorful works in this exhibition, Weber proposes that in the face of adversity, positivity can be a radical act.

Let the Sunshine In runs from September 14 to November 16 in Los Angeles. Find more on the artist’s website and Instagram.

an abstract cardboard wall sculpture with two main round pieces and five smaller satellite pieces, predominantly blue, green, orange, white, and brown, made from found boxes cut into strips

“It Was A Sunny Day” (2024), found cardboard, staples, and polyurethane, 104 x 81 x 10 inches

an abstract cardboard wall sculpture, predominantly red, yellow, white, and black, made from found boxes cut into strips

“Tutti Frutti” (2024), found cardboard, staples, and polyurethane, 96 x 46 x 7 inches

two freestanding sculptures side-by-side made of cardboard, the one of the right predominantly a white woven structure with spots of color, and the one of the left mostly colorful with spots of white

“Personages, Love and Happiness” (2024), found cardboard, staples, and polyurethane, 96 x 44 x 10 inches

an abstract cardboard wall sculpture, predominantly red with stripes of blue and yellow, made from found boxes cut into strips

“Who’s (I’m) Afraid of Red, Yellow and Blue I (After Barnett Newman)” (2024), found cardboard, staples, and polyurethane, 53 x 30 x 4 inches

#Ann Weber
#cardboard
#recycling
#sculpture

 

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