a sculpture of a microscope encrusted with minerals inside of a glass dome on a white pedestal

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Art

#Max Hooper Schneider
#plants
#science fiction
#sculpture

August 19, 2024

Kate Mothes

a sculpture of a microscope encrusted with minerals inside of a glass dome on a white pedestal

Detail of “Like Father Like Son.” Installation view of ‘Max Hooper Schneider: Carnival of Gestation,’ UCCA Center for Contemporary Art, 2024. Photos by Sun Shi. All images © Max Hooper Schneider, courtesy UCCA Center for Contemporary Art, shared with permission

Within a fictional world where organisms adapt to strange circumstances and highly processed foods form the foundation for new life, Max Hooper Schneider’s uncanny sculptures (previously) address ever-evolving ecosystems. He explores relationships between comfort and uneasiness, growth and decay, the natural and synthetic, and toxicity and nourishment through a concept he calls the “Trans-Habitat.” Within this world, he illuminates an eerie, alternative future where living beings and human-made objects have melded through a continuous cycle of destruction, transformation, and re-creation.

Hooper Schneider’s first institutional solo show in China, Carnival of Gestation, opened last month at UCCA Dune in Beidaihe. Throughout the museum’s distinctively curving, organic architecture, the artist has suspended pill-like vitrines filled with plant specimens, encased crystallized microscopes inside glass domes, and installed luminous dioramas that cast plants in artificial light and vivid colors.

The exhibition features nearly 30 sculptures made during the past decade, including six new large-scale pieces commissioned by UCCA. Challenging an anthropocentric perspective of both the world and the act of making art, the artist merges seemingly conflicting species, objects, and ways of being in the world in an exhibition that is part wunderkammer and part parallel universe.

Hooper Schneider invites visitors into environments and ecosystems devoid of people yet inextricable from human influence. In “Like Father Like Son,” for example, microscopes encrusted in minerals are housed like artifacts of a bygone era, and in “Master’s Temple,” hanging vessels containing plants suggest a way of life for organisms may no longer be able to survive otherwise.

Carnival of Gestation continues through October 13. Explore more on the artist’s Instagram.

 

a diorama inside of a box with neon lights in orange and blue, filled with plants like an aquarium

“Kindschaft Portal Fossil and Midnight Desert”

a view of a diorama of mushrooms growing out of chicken nuggets, illuminated by a black light

“Forensic Blossom (Chicken Nuggets)”

a sculpture of a microscope encrusted with minerals inside of a glass dome on a white pedestal

Detail of “Like Father Like Son”

a tabletop diorama of a landscape covered in miniature liquor bottles

“Destiny”

a view of a diorama of mushrooms growing out of sugary cereal, illuminated by a black light

“Forensic Blossom (Cereal)”

an installation view of sculptures at UCCA Dune in China, showing botanical sculptures on white pedestals and glass vitrines filled with plants hanging from the ceiling

Installation view of ‘Max Hooper Schneider: Carnival of Gestation’

a suspended installation of pill-shaped glass vitrines suspended from strings containing plant specimens

Detail of “Master’s Temple”

a sculpture of a microscope encrusted with minerals inside of a glass dome on a white pedestal

Detail of “Like Father Like Son”

a sculpture of a modified fern and palm plant on a white pedestal

“Dendrite Bonsai (Fern and Palm)”

#Max Hooper Schneider
#plants
#science fiction
#sculpture

 

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