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With the electrification of motor vehicles comes a rapid improvement to their technologies, creature comforts, and modern conveniences, but as the industry races into a new era of engineering it appears as though aesthetics have been left behind. Classic cars are far from banal showcasing genuine wood dashboards, fine natural leather upholstery, and brilliant metallic detailing encapsulated by handsome sculptural forms. Echoing this hand craft and machine artistry is SANAYI313 as they launch their Lounge Collection informed by the golden age of automotive design. The Istanbul-based interdisciplinary practice is as much a cultural institution as it is a diverse creative business whose modus is maximalist expressions through minimalist details.

Modern indoor space featuring a black bench, two wooden columns, and a potted tree, with large grid windows allowing natural light.

So it comes as no surprise that the studio found inspiration in an auto repair shop tucked away in the Maslak neighborhood where warehouse architecture litters one of Istanbul’s first planned industrial zones. “The products are the outcome of our daily-life encounters, a dialogue between the spirit and culture of this industrial zone and aesthetic beauty,” says SANAYI313 creative director, Enis Karavil. Elements within the space are mirrored in the highly textural kit of parts employed to build each model. Hard-wearing materials including stainless steel, painted metal, maple burl veneer, leather, and glass come together for a series of equally functional and sculptural furniture pieces.

The fine-tuned furnishings are a survey of bulky forms comprising distinctive designs: a lounge chair of two varieties, a daybed, a coffee table, a dining table, and side tables. Their simple forms and perfect proportions allow for clear articulation of material finish from grain to sheen. What’s more, the perception of each object is altered by its tactile and visual properties.

A modern, sunlit room features three wooden chairs, a large potted tree, two wooden columns, and a back wall with large square windows.

The 14313 Lounge Chair in maple burl veneer has a formidable, monolithic presence as if chiseled from thick marble slabs, but becomes far more approachable when upholstered in leather for a cushioned feel and comfortable experience. Sharing in the suppleness of leather while juxtaposed with a maple burl veneer frame is the 19313 Daybed. The low-slung seating and prominent armrests add a sense of luxury to its simple silhouette.

A spacious room with large windows, featuring wooden columns, matching wooden benches, and a potted plant placed on the floor. Bright natural light fills the space.

Slightly more complex is the plinth-like 33313 Coffee Table, which gives the impression of being formed from multiple blocks, is made entirely of maple burl veneer and can be styled or used in a variety of interior applications. The 21313 Dining Table is of an even grander scale featuring a rounded rectangular glazed tabletop with a stainless steel frame that rests atop two structural, cylindrical legs of the same finish. The studio’s signature tiered 07313 Twin Side Tables are also rethought, reworked, and realized in stainless steel to complement the fresh creative direction.

A wooden chair with a unique geometric design stands on a carpeted floor, positioned next to a modern wall sconce with three vertical frosted glass tubes.

SANAYI313 dignifies what some might call “visual pollution” in this homage to a bygone era of automotive prowess, supercharging spaces with a little more horsepower. “For me, the ideal home is all about creating an environment that is an authentic expression of one’s individuality. And I truly enjoy seeing our products in such environments,” adds Karavil. “Since our signature approach is to focus on refinement, perhaps the ideal client would be someone with an appreciation for the quality of exclusive creations.”

Close-up view of a wooden chair with a detailed grain pattern, resting on a textured surface.

Two modern chairs with black leather cushions and wooden bases are placed on a carpeted floor against a white wall. A wall-mounted light fixture is visible above the chairs.

Close-up of a modern sofa featuring black leather upholstery and wooden legs with a distinctive grain pattern, placed on a beige carpet.

A set of wooden furniture, including a chair with a black cushion, a rectangular coffee table, and a square side table, on a light-colored carpet.

A rectangular wooden coffee table with a block design placed on a light-colored carpet in front of a white wall with a modern wall sconce above it.

Close-up of a wooden surface with a natural grain pattern, showing two adjoining panels with distinctive swirls and knots in the wood.

A black watch on a wooden surface with a distinctive grain pattern next to a concrete floor.

A modern rectangular wooden stool with a glossy finish, featuring a thick top and a sturdy rectangular base, placed on a light-colored carpeted floor against a white wall.

A wooden box with an intricate grain pattern, featuring a handle cutout, is placed on a carpeted floor against a plain white background.

Two wooden storage boxes with cut-out handles are stacked on top of each other against a white wall. A modern wall sconce with two bulbs is mounted above them. The floor is carpeted.

Two wooden blocks with intricate grain patterns are stacked against a white wall. A dark curtain partially covers the right side of the image.

A minimalist room with a black leather bench positioned against a white wall. A modern wall sconce is illuminated above the bench. The floor is carpeted in a light beige color.

A contemporary wall light fixture is mounted on a white wall above a pair of stacked, rectangular wooden objects.

Two tall, rectangular wooden containers with smooth, patterned surfaces and brass accents, placed on a textured surface.

Two metallic rectangular columns of equal height stand on a light brown carpeted floor, positioned near a white wall with a black trim.

Two metallic, rectangular, minimalist sculptures are stacked vertically on a sandy surface against a white and black wall background.

A cubic wooden chair with a natural finish sits on a beige carpet, next to two stacked metal boxes and a framed portrait leaning against a white wall.

To shop this and other products from the studio visit sanayi313.com.

With professional degrees in architecture and journalism, Joseph has a desire to make living beautifully accessible. His work seeks to enrich the lives of others with visual communication and storytelling through design. Previously a regular contributor to titles under the SANDOW Design Group, including Luxe and Metropolis, Joseph now serves the Design Milk team as their Managing Editor. When not practicing, he teaches visual communication, theory, and design. The New York-based writer has also contributed to exhibitions hosted by the AIA New York’s Center for Architecture and Architectural Digest, and recently published essays and collage illustrations with Proseterity, a literary publication.

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