When Outdoor Photographer shut down, it devastated landscape, nature, and wildlife photography enthusiasts. However, its spiritual successor, Wild Eye, has been unveiled and will publish its first issue in September.

The first “virtual” issue of Wild Eye will be entirely free for anyone who signs up on the magazine’s freshly-updated website, setting the stage for four print (and digital) issues in 2025. Unlike Outdoor Photographer, which was a monthly newsstand publication in its heyday, Wild Eye is targeting quarterly publication.

The reduced quantity comes with what the team hopes is an uptick in quality in terms of content and overall presentation. Unlike the typical magazine of years past, Wild Eye will be designed to be saved, displayed, and enjoyed more than once.

To that end, Wild Eye editor-in-chief Dan Havlik, who has been in the photography industry for many years and was the longtime editor-in-chief at Shutterbug before moving to Digital Photo Pro and then Outdoor Photographer, tells PetaPixel that each issue will be printed on higher-end paper stock, worthy of the beautiful nature images that Outdoor Photographer was known for.

It’s important to note that Wild Eye itself doesn’t reference its Outdoor Photographer roots, but they’re there. There are plenty of familiar faces on the Wild Eye team, including its publisher, Jason Bradley, design editor, Scott Brandsgaard, and sales manager, Bob Meth. There are also familiar names among its contributors, which include celebrated professional photographers Amy Gulick, Austin Mann, David Duchemin, and Melissa Groo.

As for the type of content Wild Eye readers can expect, there will be a combination of print, digital, and web-based content, including features from the world’s best photographers, showcases of beautiful photos that explain how they were created, explorations of the wild locations across the globe, field notes, gear reviews and roundups, and more.

The first issue will feature a story from conservation photographer Paul Nicklen, a guide to developing photographic style from Erin Babnik, and a spotlight on landscapes from Ted Orland.

Conservation is a big emphasis for Wild Eye, and Havlik says that he wants the magazine to emphasize the importance of conservation photography and help convey the more profound meaning and impact of nature and wildlife photography.

Havlik says that Wild Eye‘s three tenets are “education, inspiration, and information.” Further, the team aims to build upon a foundation of beautiful photographs. Ultimately, the images reign supreme and everything else is in their service.

While the magazine industry has faced many challenges, and Outdoor Photographer wasn’t immune to them, Havlik believes the market is trending toward high-quality, tactile experiences.

“I really feel like a younger generation is starting to get burned out on the digital image, digital text, and are coming back to a printed format because it’s becoming rare — it’s kind of a unique thing,” he says, adding that Wild Eye hopes to attract the same audience that enjoyed Outdoor Photographer, while expanding to a younger generation, who perhaps was never into print but is becoming interested in enjoying photography beyond the screen.

That said, not only is Wild Eye releasing its first issue this September in digital format, but the print issues next year will also come with digital versions because that’s something that some people want, and it makes the magazine more accessible.

The Wild Eye team is still ironing out some of the broader details concerning the eventual price structure for subscribers. Still, Havlik says it will be competitively priced against other high-end photography publications.

People can sign up right now to get the first issue of Wild Eye emailed directly to their inbox as soon as it’s ready in September. All you need to do is enter your email address — no additional information is required.

Image credits: Wild Eye